The Sound

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The Story

I love it when unrelated sounds are forced to share the same space. To most people’s ears I imagine moments like those in this short recording sound abrasive and chaotic, but to me it’s a sort of magic. It’s only recently that I’ve fully identified the precise nature of this eccentric pleasure. It came together during my trip to New Orleans last March, where I found myself drawn back to Bourbon Street, again and again, especially at night, when it was the crowds were largest and the noise was intense. I was puzzled by the attraction, since, on the surface at least, the Bourbon Street scene is complete anathema to me. I don’t like crowds in general, and a crowd of drunken college students howling around…that’s really not my sort of scene.  Still, I kept confusing myself by going back. And eventually I figured it out. It was all about the sound. The bars on either side of that narrow street blast out music so loud that it sometimes hurts your ears even from the street. Some of the music is recorded, some of it is live, and it’s mixed with the sounds of shouts and screams from both inside the clubs and out on the street. At one point I found myself just standing still in the middle of the street, listening. Four or five different songs were audible all at once and the music blended together like minerals in a volcanic eruption. It was an aleatory sound collage…simultaneously obnoxious and eerily beautiful.

The short recording here is not nearly as intense as that, but I was drawn to it for precisely the same reasons. I made it in San Francisco when I was there recently for a medical appointment. As I came up to the BART station at 24th and Mission, I heard a chaotic mixture of music that I couldn’t easily sort out into its component parts. Coming into the plaza saw a dozen or so people standing in a circle singing what seemed to be a political song. Several members of the group were beating tambourines. A few feet away from them a middle-aged man and woman were sitting at a table with a sign offering free meditation classes. The man was playing guitar and they were both singing an off-key chant of some sort. (It sounds like they’re singing “Hidey-Ho,” but I’m pretty sure that they’re actually sort of Hindi or Sanskrit mantras.) At first it seemed like the two songs were competing with one another. But as I stood watching and listening it became apparent that they were simply co-existing. Each song proceeded as if the other weren’t happening. When the Spanish song ended, the meditation promoters continued their chanting.

I pulled out my recorder and was able to capture the last few minutes of the chaos. What you hear in these thirty seconds is the end of the Spanish song, after which the chanting continues.

The Recording

The recording is pretty dirty, so I’ve applied some processing to clean it up a little. It was a windy day in San Francisco and since my hand-held recorder doesn’t have much of a wind screen, the recording picked up some loud low-frequency gusts. I used an EQ plug-in aggressively to filter out these sounds as best I could. You’ll be able to hear some of the artifacts of that filtering on the recording. I also applied a bit of stereo field spreading in order isolate the different elements of the recording. Still, it’s a messy recording. Which is precisely what I like about it.

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The Sound

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The Story

Unlike past sounds in this series, the source material for this sample has been altered…heavily. Although nothing has been added, the raw material has been sculpted to significantly transform it. Because of this, I invite you to listen to it before reading on to the description that follows.

Now I know that this isn’t everyone’s cup of tea. In fact, to many (maybe most) people this will feel like an unpleasant sonic assault. But I was drawn to the material because of the irregular rhythms of the various elements within the sound, and the tonal qualities that lay beneath the abrasive noises that give shape to the piece. And in fact the key components of this piece are literally abrasive – the high-pitched tones are the sounds of sneakers scraping against the floor in a high school gym. The underlying recording was made during my son’s recent lacrosse practice. As I sat in the bleachers listening, I became captivated by the odd and aleatoric punctuation that the sound of squeaking sneakers created. After I recorded it, I wanted to enhance this effect, so I applied some extreme filtering to the recording in order to amplify the squeaking (and also the frequency range of the occasional voice calling out), while severely damping out the lower frequencies. Then I stretched the sample to slow the whole thing down and threw in a bit of extra reverb, which had the effect of transforming the gym into something that sounded more like a factory floor. The first half of the piece consists of this modified but still “raw” sound. Then over the second half I apply several sound mangling processes, which increase gradually in intensity. These processes don’t add anything new to the sound, but they pull out various elements of the sound, manipulate them and add them back in, which slowly transforms the comparative clarity of the earlier sound into a murky sonic cloud.

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The Sound

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The Story

While travelling in China last year, our group visited Shangli Ancient Town, a small village in western Sichuan Province in which many of the village’s beautiful old structures remain intact. The narrow streets were thronged with tourists – very few of them non-Chinese – and the town was ringed by rivers, over which stood beautiful stone foot bridges. (You can find another nice description of the town here.) As we approached the central plaza of the town, I was transfixed by a repetitive chanting song. I scouted around and found its source – a clutch of young boys sitting on the ground in the middle of the crowd, playing some sort of card game which involved  slapping their cards on the ground at certain moments of the chant. I was able to capture a bit of it, which is what you hear here. I don’t have enough Chinese to make out the words they’re singing (which may well be in Sichuanese dialect anyway). One of the things I love about this recording is that at first it sounds like the boys are doing just a simple monotone chant…but as it continues a lovely melody emerges. And at least one of the group of boys seems to be a pretty good singer. I’ve cleaned up the recording just a bit, filtering it so as to bring out the voices and reduce the background noise.

 


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The story

Recorded on the 1 train in Manhattan, four or five years ago. As the train pulls up to the stop, a group of acappella doowop singers walks through the train, shaking their change cup. I get off the train and it pulls out of the station. I’ve cleaned up the recording just a bit, filtering out some of the low-level hum and fading it in and out at the beginning and the end.

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I am a collector of sounds. I carry a digital recorder with me and when I hear interesting or beautiful or striking sounds I try to capture them. This is one of my favorites.


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The story




The street where I made the recording (the man doing his exercises is visible in the distance)

The street where I captured this sound (you can see the man doing his exercises while listening to the rad




Last Spring when I spent a week in China as one of the winners of China Radio International’sCharming Sichuan Knowledge Contest.”Along with nine other winners (from all over the globe) I spent a several days in Beijing, then flew to Chengdu for a whirlwind tour of Sichuan Province. On our first morning in Chengdu, I woke up early and slipped out of the hotel so that I could have a few minutes to wander the streets by myself. (During most of the trip was very tightly organized and moments in which I was free to simply explore were rare.) As I wandered the side streets of Chengdu, I heard a woman singing. I turned on my recorder and walked in the same direction. She was simply walking, singing (as you can hear) in a full voice through the early morning  streets. This is a “dirty” recording. Passing vehicles intrude on the song. At one point she slows down and I pass her, at which point her voice becomes quite loud on the recording. A little while after that I pass an old man on the sidewalk who is doing is morning exercises while listening to the radio. You can hear the broadcast as I pass. Eventually I stop and the woman continues along the narrow street.






Later that day I gave a short speech to the Sichuan Tourism Authority






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© 2011 The Next Ten Minutes Suffusion theme by Sayontan Sinha